Our Synthetic Reality: The Human Drift Away from Nature

There’s a quiet transformation underway in the human condition. One that’s not driven by ideology or invention alone, but by the slow, almost imperceptible drift toward a synthetic existence. Our daily lives are increasingly mediated by things we’ve made, not things that naturally exist. Concrete replaces soil, pixels replace people, and what we consume, both mentally and physically, has never been further from its origins.

From the Natural to the Constructed

The built environment was our first great experiment in artificial living. Cities rose as monuments to efficiency and safety, offering shelter from the chaos of nature. Yet, as the world urbanized, the natural world receded from daily experience. We spend nearly 90% of our lives indoors now. For many, the smell of wet earth or the sight of an unpolluted night sky has become a rarity.

Concrete and glass have replaced ecosystems that once sustained us physically and emotionally. The psychological toll is visible: higher anxiety rates, loneliness, and the increasing sense of disconnection from something we can’t quite name. The built environment has made us more productive but perhaps less alive.

Digital Life: The New Habitat

If cities redefined our physical world, screens have rewritten our cognitive one. The average person now spends over seven hours a day staring at glowing rectangles,our new campfires. But these fires don’t warm us; they capture our attention and sell it back to us in fragments.

We socialize through mediated pixels, learn through feeds optimized for retention rather than reflection, and rest by bingeing content designed to never end. The digital realm blurs what’s real, yet our brains,ancient, emotional, analog machines, struggle to distinguish simulation from sensation. In the process, our sense of presence is eroding.

Synthetic Bodies: What We Eat and Breathe

Our relationship with consumption has followed the same pattern. We eat foods that are engineered for shelf life rather than nourishment, shaped by industrial systems that mirror the logic of software: efficient, scalable, disconnected from the natural rhythms of growth and decay.

Even our air is curated , filtered, scented, or trapped indoors. Our homes simulate sunlight; our diets simulate nature. The more we optimize for convenience, the further we move from the biological wisdom that once governed survival.

Synthetic Minds: The Information We Consume

The next frontier of this transformation lies in thought itself. Increasingly, the words we read, the art we admire, and the ideas we encounter will not come from human experience but from synthetic intelligence trained on the echoes of it.

AI is not merely producing content,it’s beginning to shape the texture of our collective consciousness. When algorithms write, paint, and compose at scale, the boundary between creation and simulation fades. In a world flooded with machine-made expression, what does authenticity even mean?

The Consequences of a Synthetic World

The implications go beyond nostalgia for the “natural.” This synthetic drift affects our biology, psychology, and morality. Attention spans shorten. Empathy diminishes in digital echo chambers. Our diets alter our microbiomes; our information diets alter our minds.

We risk becoming optimized for the systems we’ve built rather than the ecosystems that built us.

Rediscovering the Organic

This isn’t a call to reject the synthetic,our technologies are marvels of human ingenuity. But equilibrium is essential. We need cities that breathe, technologies that pause, and food systems that remember the soil.

We need, most of all, to remain aware that our capacity to create does not absolve us from our dependence on what is naturally given.

The synthetic world is our greatest invention,and our greatest test. The question is not whether we can live in it, but whether we can remain human within it.


Motivation As Fuel: 5 Artist That Keep Me Going

When people ask about my favorite artists or who inspires me, the word “thrust” comes to mind—much like the surge an aircraft needs to defy gravity. It reminds me of the first time I visited MoMA in New York back in the summer of 2010, a pivotal moment when a single artwork unleashed in me an intense motivation to contribute to the artistic conversation.

It also takes me back to my fluid dynamics class in college. As someone fascinated by engineering, I’m drawn to the idea of aircraft and rockets—objects that overcome inertia by harnessing tremendous energy. As humans, we have our own latent potential. Sometimes, that creative spark—whether internal or external—acts as the fuel that powers us upward.

Below are five artists whose works have fueled my desire to defy inertia, stoke my creativity, and remind me why I create.

Twin Seven Seven (T77)


Blessed Hunter (1990; Ink on plywood)

Growing up in Lagos, I often saw Twin Seven Seven’s art hanging in relatives’ living rooms and hallways. As a Yoruba person, I know how deeply idiomatic our expressions can be, creating memorable ways to preserve ancestral wisdom across generations. T77’s work—featuring layers of wood panels and interwoven human and animal figures—exudes a delicate geometric abstraction that weaves timeless stories. His pieces always left me with more questions than answers, which I believe sparked my insatiable curiosity in both art and technology.

Mark Rothko


Four Darks In Red (1958)

If T77 provided the latent fuel for my artistic journey, Rothko was the ignition. When I first visited MoMA in 2010, I spent a solid 15 minutes transfixed by one of his paintings. The freedom of expression and large panes of color opened a level of depth I’d never experienced via magazines or smartphone screens. That moment triggered a wave of new questions—particularly about how my engineering background could cross into artistic expression. Soon after returning from New York, I painted my first artwork in my dorm room.

Mikalene Thomas

Afro Goddess Looking Forward (2015, Rhinestones, acrylic, and oil on wood panel)

One of my biggest challenges in the studio is infusing my work with emotionally charged materials in a way that amplifies the narrative rather than serving as a decorative afterthought. Mickalene Thomas not only understands this challenge—she elevates it. I love how her use of rhinestones echoes the fabrics and embellishments celebrated in Yoruba culture. I still remember helping my mother lay out her ceremonial bubus and watching a few of these sparkling stones fall to the floor. Mickalene’s ability to honor personal heritage and push creative boundaries inspires me to do the same.

Chris Ofili

Adoration of Captain Shit & The Legend of the Black Stars (Oil, acrylic, polyester resin, paper collage, glitter, map pins, and elephant dung on linen)

Water has always fascinated me: from watercolor painting in art class to swimming as a sport, it’s a medium I respect and explore. Chris Ofili creates lush scenes of Black identity, sexuality, and servitude through a blend of abstraction and human figures—themes that resonate powerfully with my own work. Seeing how he layers his paintings and manipulates materials has pushed me to think differently about my own process, especially regarding color flow and texture.

Zak Ove

The Mothership Connection (2021)

Zak Ové offers a playful, Afro-futurist twist on African aesthetics, often referencing masks and geometric patterns. With my background in technical drawing and engineering, I’m always seeking non-traditional ways of making art. Zak’s breadth of exploration—whether in sculpture, installation, or technology—stands as an example of boundary-pushing creativity that aligns with my interest in fusing traditional heritage with modern innovation.

Each of these artists has, in one way or another, kept me fueled and inspired. Their works remind me that our potential is vast, and often all we need is a jolt of motivation—like thrust under a rocket—to propel us forward. By drawing on what they’ve built, I’m able to explore new frontiers in my own art, merging heritage, technology, and imagination in ways that keep my creative engine running.

Studio Studies: Modernism in African Architecture

Modernism has existed long before the recent contemporary flagship projects on the continent. For the past 20 years we’ve seen a cultural renaissance emerging from the continent, and the architectural industry has felt this new vibe . David Adjaye and many other native-board architects have served up stellar projects across the world, imparting the primary themes of modern African architectural style to new continents.

The geometric permutations you find in my work can also evident in many of these modern buildings, and its no mistake. For many years I’ve grown a corpus of images, screenshots, and scenes from video footage, of many of these modern icons on the continent as source material. These have always provided seeds of ideas for my work

In doing this I hope to acknowledge African modernism in its own way: Inventive, resourceful, precise, and abstract. I’ve also shared a few images of my favourite buildings. Enjoy.